I was delighted and dismayed to realize that Kathryn Bigelow was the first woman in history to win the Oscar for best director. 2010 strikes me as a late date to start recognizing the creative artistry of women in cinema, but such is life.

Kathryn Bigelow strikes me as a person with her head on straight. She makes ballsy action films, even in Jordan, and she doesn’t preach about being a “feminist filmmaker.” Maybe that’s why she was the first woman director to be recognized by The Academy.

Never mind that she was married to a famous Hollywood director and womanizer, because Bigelow is just a woman with a talent for making movies, and she doesn’t focus on feminine issues or designer shoe brands. But why is it so illegitimate/un-Oscar-worthy to make movies about ‘female trouble‘? A war movie about men deactivating bombs is considered serious, but a film about a divorced woman raising her daughter is labeled “melodramatic.” Maybe next year a female director will win for making a movie about a girl who is fired from her day job when her boss finds out she is pregnant, forcing her to sell cupcakes door-to-door in order to save enough money to find true love. Wait–that cliché just got horribly confused.

Tweet This Post